GeorgeNicolasEl-Hage.com
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  • Professional Profile
    • Who is George Nicolas El-Hage
  • Publications
    • "Aqlam Muhajirah" The voice of the New Pen League (NPL)
    • Literary Criticism >
      • Books (English) >
        • A Labor of Love: Our Lebanon Family Home Renovation Project
        • Gibran Kahlil Gibran: Yesterday, Today and Tomorrow
        • Eliya Abu Madi: The Distinguished Poet of al-Rabita al-Qalamiya
        • A Brief History of Arabic Literature: Volume One: Pre-Islamic to the Abbaasid Age
        • A Brief History of Arabic Literature: Volume Two: Andalusia to the Modern Age
        • William Blake and Kahlil Gibran: Poets of Prophetic Vision
        • Gibran Kahlil Gibran: The Man Versus the Legend
        • Essays on Literature and Language
        • Ibn al-Farid's "Khamriyya" ("Ode on Wine")
        • Nizar Qabbani: Women in My Poetry and in My Life
        • Nizar Qabbani: My Story with Poetry - "An Autobiography"
        • Nizar Qabbani: Journal of An Indifferent Woman
        • Ghada al-Samman's Beirut '75: An Autobiographical Interpretation
        • English Translation of Selected Letters of Badr Shakir al-Sayyab
        • Khalil Hawi: Letters of Love and Life
        • Immortal Quotes from Ameen al-Rihani’s Masterpiece The Book of Khalid
        • Ameen al-Rihani: Eastern and Western Figures
        • Ameen al-Rihani’s The Register of Repentance: Four Short Stories and a Play
        • Selected Letters of Ameen al-Rihani: Translated with an Introduction and Notes
        • Ameen al-Rihani: You...The Poets
        • Ameen al-Rihani: My Story with May
        • Ameen al-Rihani: The Muleteer and the Priest
      • Books (Arabic) >
        • al-Zajal al-Lubnani wa Zaghloul al-Damour fi Beit Meri: (Lebanese Zajal and Zaghloul al-Damour in Beit Meri)
        • Madkhal ila-l-'alam al-shi 'ri 'inda Khalil Hawi usluban wa madmunan: (An Introduction to the Poetic Universe of Khalil Hawi)
        • al-Nabi bayna 'adu al-Masih wa al-Insan al-Ilah
        • Sahifat "al-Risala" al-Lubnaniya al-Mahjariya: (The "al-Risala" Newspaper and the Lebanese Press in Diaspora)
        • Gibran Kahlil Gibran wa William Blake: Sha'ira al-Ru'ya: (Gibran Kahlil Gibran and William Blake: Poets of Prophetic Vision)
        • The Trilogy of Heroism, Redemption, and Triumph: The Press in Diaspora, Khalil Hawi, Zaghloul al-Damour
    • Textbooks & Articles on Teaching & Learning Arabic >
      • marHaba III: A Course in Levantine & Modern Standard Arabic (LMSA) >
        • marHaba III: PART ONE Audio Files
        • marHaba III: PART TWO Audio Files
        • marHaba III: PART FOUR Audio Files
      • marHaba II: A Course in Levantine Arabic - Lebanese Dialect - Intermediate Level >
        • A Companion Book to marHaba II: English Translation & Transliteration of All Lessons in marHaba II
      • marHaba: A Course in Levantine Arabic - Lebanese Dialect >
        • marHaba: Practice Workbooks
      • MABROUK: A Course in Modern Standard Arabic (Elementary & Intermediate Levels) >
        • Study Guide: MABROUK
      • The Story of Sami and Warda
    • Lebanese Nursery Rhymes
    • Books (Poetry in English/Arabic) >
      • Love Surpassed: A Book of Poetry
      • Letters to My Son: An Immigrant's Saga
      • Lebanese Hymns of Love and War
    • Books (Poetry in Arabic) >
      • Love Poems from Beirut
      • Awdat al-Faris wa Qiyamat al-Madina
      • al-Ghurba wa Mawasim al-Dhalam
      • Law Kunti Li
      • Qasa’id Bila Tarikh (Undated Poems) >
        • Mikhail Naimy: Fathers and Sons - A Play in Four Acts
      • Maw’id wa-liqa’
      • anti wal atfaalu fi Beirut: You and the Children in Beirut
      • You and the Children in Beirut
    • Poems (English) >
      • To Mary Ann with Love: A Book of Poetry
      • Birth of a Princess
      • Forty Years of Bliss
      • Thinking of You
      • You are My Christmas
      • A Poem for Mother's Day
      • To Mary Ann on Her Birthday
    • Poems (Arabic) >
      • Arabic Poems in MSA >
        • Beirut Speaks - song
        • A Tribute to Beirut
        • Lubnaniyat
        • The Garden of Visions
        • Najwa
        • Kunna ibtada’na
      • Arabic Poems in Lebanese Dialect >
        • Hilwit libnan
    • My Poetry (Translated from Arabic to English) >
      • Beirut Speaks
      • The Book of Death, #28
      • Journey of Illusion
      • Letter to a Country With No Frontier
      • A Letter to the Children of Qana
      • My People
      • You, Beirut and the Children
      • Introduction to If You Were Mine
      • Sufiya: A Mystical Poem
      • Surprise Attack
      • Exile
      • Chariot of Light
    • My Translations of Other Poets'/Writers' Works >
      • May Ziyadeh: The Return of the Wave
      • Said Akl: When Lebanon Speaks
      • Ameen Albert Rihani: A Train and No Station
      • Mikhail Naimy: Once Upon A Time
      • Mikhail Naimy: Abu Batta and Other Stories
      • Mikhail Naimy: Fathers and Sons - A Play in Four Acts
      • Mikhail Naimy: Inspired by Christ
      • Mikhail Naimy: Sab‘un (Seventy) An Autobiography
      • Mikhail Naimy: al-Ghirbal (The Sieve): Selections Translated into English with an Introduction
      • Tawfiq Yusuf Awwad: A Loaf of Bread (al-Raghif)
      • Tawfiq Yusuf Awwad: The Lame Boy and Other Stories
      • Maroun Abboud: Faces and Stories
      • Maroun Abboud: The Red Prince - A Lebanese Tale
      • Maroun Abboud: Tales from the Village
      • al-Rihaniyyat
      • Munajayat Al-Sab‘in
      • Mahmud Darwish’s poem, “Antithesis”
      • ‘Abd al-Wahhab al-Bayati’s: The Byzantine Poems of Abu Firas
      • Gibran’s Unpublished Letters to Archbishop Antonious Bashir
    • Personal Reflections >
      • First Impressions of Lebanon in June 2013
      • The Collapse of a Tradition
  • Professional Activities
    • Lectures
    • Poetry Readings
    • Interviews
    • Conferences
    • Memberships/Committees
    • Management Enrichment
  • Curriculum Vitae
  • Contact Information

                                                             Nizar Qabbani:  Journal of an Indifferent Woman
Nizar Qabbani is the most celebrated and popular poet in contemporary Arabic Literature. He remains one of the most prolific and influential Avant-guard poets of Modern Arabic Poetry. His writings constitute a School of thought, a movement, a trend, that produced a large number of followers across the Arab world who tried to imitate Nizar and adopt the path that he pioneered, but none earned the fame and prestige that Qabbani achieved. Nizar started his career writing about love, romance and romantic and erotic topics. These were fiery subjects and mostly taboo at the time. He was severely criticized by the conservative establishments, but this never deterred him. His goal was to expose the injustice imposed on women, to openly discuss love and passion without shame, and to free the Arab spirit from the years of bondage in the dungeons of past traditions. His poetry later evolved into the political arena, and he wrote the most moving and effective political poetry criticizing the then current Arab regimes and exposing their failures, complacency and ultimate defeat in facing the national responsibility that they were entrusted with. In his poetry, Nizar continued the theme of love poetry that was started by Omru’ al-Qays in Pre Islamic Arabia and then popularized by the two Umayyad poets: Jamil Bin Mu ‘ammar and ‘Umar Bin Abi Rabi ‘a. In his poetry, Nizar combined the elegance, transparency, sexuality, and piety of the three poets and brought poetry to the homes and dining tables of the millions in the Arab world who loved him and admired his poems. He wanted to make poetry like bread a daily nourishment available to every person who could read Arabic. On the other hand, when Nizar Qabbani wrote his political poetry, he was focused, critical, harsh, punitive, severe and unforgiving. He was bleeding for his nation and eulogizing its failures and defeats. When Nizar wrote about love, he dipped his plum in Jasmine and rose water. But when he wrote his political satire, he dipped his pen in blood. This book is not about sex and seduction. This book is an existential document written by an abused woman awaiting her execution. She knew that there is “No Exit,” yet she chose to overcome her fate and write. This is a surrealistic diary of a frustrated female pushed to her limits by the costumes, traditions, and beliefs of a rigid society that treats women as slaves and empowers men to rule over them. This nameless female, a modern Scheherazade, stood face to face against her assassin in her attempt to triumph over death by documenting her story, and consequently, the story of the millions of women who were sacrificed daily in the bedchamber of Shahrayar . However, the frustration, anger, despair and dejection of all these women is also evident and is shared by men at the end of the book as the “ men” admit their guilt and sin that has accompanied them since the “Age of Ignorance” in Pre-Islamic Arabia.

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Book available for purchase on amazon.com
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